The couple learned that Melbourne has more decorative cast than any other city in the world and can now quickly identify a Federation-style home through its use of Australian flora and fauna in the design motifs.
They enjoyed spreading a bit of locking bliss, with Buzz giving owner Natalie Paull a drawing of beloved North Melbourne pastry shop Beatrix.
“Now every time I come home and order a cake, I have a little chat,” says Chryssie. “Especially with the lockdown, the queue is across the street. I told him, ‘You bring so much joy to our lives, we wanted to bring you some back.’ “
Swarbricks are often surprised at the details people want to include in their designs, such as a request to showcase a dilapidated workshop next to a house that belonged to the owner’s grandfather, or to focus on roses along the way. ‘a front fence.
It is this subjective rendering that, according to Professor Hannah Lewi of the University of Melbourne, makes documenting suburban architecture through drawings “a little more special” than photographs, which are ubiquitous on platforms like Instagram. .
“It’s not an exact facsimile of a place, as you can exclude or include it, and it gives a certain character,” she says. “We have really seen an increased appreciation from your local community in general over the past couple of years. Everyone’s horizon has shrunk considerably.
Chryssie says the foreclosure project has allowed the couple to enjoy Melbourne’s neighborhoods, while also making extra money, with commissions reserved until May of next year.
“I think we underestimate the connection people have to their home,” she says. “Spending so much time in lockdown now, I think people really appreciate where they are and where they live.”
The Morning Edition newsletter is our guide to the most important and interesting stories, analysis and ideas of the day. register here.